12 Aralık 2016 Pazartesi

C. 1800 robe à lAthénienne

Although neoclassical styles were a norm during the Directory and Consulate eras, the dresses that took the classical ideal to the extreme was a fashion phenomena among only very few privileged French ladies. As I'm not tied to any re-enactment group or persona, I felt curious about experimenting with that extreme. To those not very familiar with the high waisted era, I'd like to emphasize that this would not be a suitable outfit for most historic events, like a Jane Austen Ball for example. And if you are not sure about the dress code, I would strongly recommend wearing a shift, stays, stockings and shoes with the rest of your outfit. But if you are not bound by any dress code, this style will make up as a most delightfully comfortable little white dress. 

The dress is made of thin cotton muslin. The lining is made of linen and it's completely hand sewn with linen thread. I'm wearing it over only a high waisted cotton lawn petticoat with shoulder straps, also hand sewn with linen. It's accessorized with greek style leather sandals and a shawl with painted borders at both ends. I achieved the length by joining two shawls like Jen did in her regency shawl post.


















The dress without the shawl.










Construction:

I looked through a bunch of portraits of ladies dressed in the Merveilleuse style when I was deciding the design. Eventually this portrait became the main inspiration for the bodice and sleeves:

David, Jacques-Louis, Portrait of a Young Woman in White c. 1798



And Juliette Récamier the inspiration for a slimmer skirt.

François Pascal Simon Gérard, Portrait of Madame Récamier, 1802


For patterning, I used the c. 1798-1805 morning dress in Patterns of Fashion as main source. I sewed the bodice lining together first and then mounted corresponding cotton pieces on top and back stitched them down from the right side.



The skirts seams were sewn together leaving them open from the top to allow the bib front to fall open. The center back is cartridge pleated and then the skirts whip stitched to the bodice and to a waist tape in front. 


Then I made the v-neck front piece and attached it to the waist tape as well. The bodice closes with hooks and eyes and then the bib front is pinned to the shoulder straps after the waist tape ends are tied together in front.



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